Monday, July 9, 2012

Goodreads Book Review - John Dies at the End

John Dies at the EndJohn Dies at the End by David Wong

My rating: 3 of 5 stars


This was... well, I'm just going to come right out and say it: this was easily the weirdest f*cking book I've ever read. The entire time I was reading it, all I could think was, "When this makes sense, I really like it. I just wish it would make sense more often." At the end, more of it made sense, enough for me to say I did like it a lot... but too much still went unexplained, seemingly for no reason at all, except that the author really wanted to be as weird as possible. Which I can respect, of course. It did have me looking at shadows out of the corners of my eyes and jumping a little bit, so I'd have to say it got what it was going for, just not coherently enough for a better rating.



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The fifth book in the Recommended Reading Challenge is now behind me. I have three more books on the list, but don't actually have possession of any of them at the moment, so I'm definitely looking for more recommendations. If you have any for me, hit up the comment box and let me know!

Mets Monday - At the All-Star Break

Expectations are a funny thing. Among some of my friends, we have a saying: "Lower your expectations accordingly and you'll never be disappointed." For example, are you one of the people who complained that the Transformers movies had weak plots? They're Michael Bay movies about giant robots; lower your expectations. Complaining that Strike Back, the Cinemax original series, has too much sex and nudity mixed into the action and isn't as highbrow as what you might see on HBO? It's produced by the show whose nickname is Skinemax; lower your expectations.

With that lesson in mind, I went into the 2012 Major League Baseball season with significantly lowered expectations for my beloved Mets. Honestly, I expected them to win around 60 games for the season and lose the other 102. So you can imagine my delightful surprise when, at the All-Star break right now, they have a record of 46-40 and are in third place in their division, only 4.5 games out first. That's right, a team I thought would just be losing all over the place is right in the middle of things. Lowered expectations, folks, means nothing but good news.

Let's look at some of the highlights from this season so far: Santana throws the first no-hitter in Mets history and Dickey has one of the most dominant first halves for a pitcher that I've ever seen, getting him put on the All-Star Team (and as I've just read he isn't starting the game, my long-held theory that Tony LaRussa is an utter assclown is proven true) as the Mets easily have one of the top starting rotations in the National League. David Wright is having an MVP-caliber season both at the plate and on the field, making the All-Star team again (and not starting, proving that the whole fan-voting system might not be the best idea in the world). Maybe better than all that, though, is that this is a team predominantly filled with homegrown young players who might fuck up sometimes but play hard all the time, play to the last out all the time, and are just flat-out fun to watch.

So what do the Mets need as they go into the second half of the season? The starting rotation is fine, but they do need help in the bullpen... although I think a trade for an arm is unlikely since there are some hot prospects in the minors who should be able to help. What the Mets, as a predominantly left-handed hitting team, need a dangerous right-handed hitter. A lot of people think Jason Bay will provide that when he comes off the DL; when you consider how he's played for the first two-and-a-half years he's been with us, well, here was Terry Collins' reaction to the idea of Bay helping the team out:

"That's a good one. No, really, we need a right-handed hitter. Seriously."

What this team really needs, though, is just for their young players to grow into the game. Right now they're having the problem most young players in their first year or two: they struggle with consistency. Sometimes they play like a championship caliber team... and other times they're completely lifeless. That's why, even after such a great first half where they might have been the most surprising team in baseball*, I'm still keeping my expectations lowered as we go into the second half: I'm not expecting the championship, just a few more months of fun and exciting baseball.

Still, lowered expectations or not... you gotta believe.



*Perennial lame-duck team the Pittsburgh Pirates, at eleven games over .500 and in first place in their division, are probably an even bigger surprise. This one goes out to the inimitable Jabba the Black, a.k.a. Chris: "Go Pittsburgh!"

Friday, July 6, 2012

Fiction Friday - Biggs and Wedge Occult Occurrences

For the first time in six months, I started writing some fiction last night... and I actually finished a short story! When I say short, I mean short: it's roughly three and a half pages long. It's the first is what I'm sort of envisioning as a series of short stories with these characters and the world they live in. It's a little rough, as I wrote it as it came to me without any planning and am still feeling out the world and the character voices, but I kind of like it. If you read it... and I think you should... leave me a comment, let me know what you think!

Biggs and Wedge Occult Occurrences

    “That’s definitely blood pouring out of the sink faucet.” The blood, viscous, dark red, looked ridiculously out of place as it poured into the peppermint-green sink basin. What an absurd thing to notice, I thought to myself as I impotently turned the faucet on and off, neither hot or cold knobs having any affect on the blood flow.
    “I know its blood, Biggsy,” a voice from the bathroom doorway behind me pointed out. “Any idea what’s causing it?”
    I turned to face my partner, Aldredge “Wedge” Thompson, and simply shrugged before turning back to the sink, staring into the waterfall of blood. “That’s unacceptable, Biggsy. You’ve got to have some kind of idea.” When I didn’t answer, lost as I was watching the blood flow, his voice became more insistent. “Come on, Hank. Give me something.”
    Henry Biggs. That was me, the other half of “Biggs and Wedge Occult Occurrences.” Go ahead, make the Star Wars joke, everyone does. Hell, as our company got more popular and our name started to spread, George Lucas even tried to sue us once. We went in with the defense that you can’t sue people for using their own name… but since “Wedge” technically isn’t anywhere on my partner’s birth certificate, we weren’t getting very far with that line. Until, that is, Lucas needed our particular services, and in return, he let us keep the name… but that’s a story for another day.
    I shook my head and sighed as I pulled myself away from the sink and turned to face him. “This one manifestation isn’t a lot to go on.”
    “Clearly the house is haunted.” He looked at the sink. “Could be a ghost, or a poltergeist.”
    I gave him a look that bordered on long-suffering. “You’ve been doing this long enough to know a violent blood manifestation like this means if it’s a spirit, it can’t be just a ghost.”
    “Poltergeist it is,” he said, rubbing his hands together, eager to get to the “violence” phase of the job. “I’ll go get the gear out of the truck.
    “I said if it’s a spirit,” I repeated as I grabbed his shoulder to keep him in the bathroom with me. “It could be any number of things, from a curse to a psychic manifestation. I’m not risking a summoning until we know for sure what’s what.” I shuddered at the thought. For a medium like me… especially a medium like me… a summoning was one of the worst things you could ever go through, even when you were definite about doing it. But when you weren’t sure? It was a thousand times worse.
    “Fine.” Wedge sighed in disappointment. As a medium, I was the “occult” part of the business, but Wedge was the violence. And no encounter was more violent than a poltergeist, so of course that’s what he was always hoping for. “What now?”
    “Check the rest of the house, see if you can find any other clues.”
    “But the Hendersons already said nothing weird is going on anywhere else except this sink,” he whined. He hated the research and exploration part of the proceedings.
    “Just do it,” I snapped, the look on my face no longer simply bordering on long-suffering. “I’m pretty sure they aren’t experts, or else we wouldn’t be here. Maybe you’ll see something they missed. I’m going to stay here and see what else I can see.”
    He might have said something as he walked out of the room, but I was already purposefully ignoring him. Don’t get me wrong, I loved Wedge like a brother; he was my oldest friend, and after some of the things we’d been through together, both before and after starting our business, there was no way that would ever change. Sometimes, though, his enjoyment of the violence this job sometimes called for and his disinterest in the subtler aspects even after all these years annoyed the crap out of me.
    I shook myself, visibly clearing Wedge and the rest of my thoughts from my head and once again stared at the crimson deluge falling into the sink. I looked into it, through it, trying to find any hint of what might be going on, but there was nothing. Not expecting it to do anything, I tried the knobs again, and got what I expected. I looked around the bathroom, taking in the toilet, the towel rack, the flowery purple mat on the floor in front of the tub that clashed with the green color of everything else, the bathtub itself...
    As I looked at the tub, a thought struck me. The Hendersons had said nothing weird was going on anywhere else in the house. They also said they hadn’t been in this bathroom since the sink started gushing blood, using the bathroom downstairs instead. If they left the bathroom as soon as the sink started, what about the tub and shower faucets, did they ever check them?
    I stepped over to the tub and turned the knobs to turn the shower on, jumping back quickly to avoid any bloody downpours just in case. The shower, however, stayed dry. No blood, no water, nothing. My eyebrow arched curiously. Stepping back to the tub, I turned the shower off and then knelt down, turning the bathroom faucet on. The faucet stayed dry, but something else happened.
    The blood suddenly stopped pouring from the sink. I looked from the sink to the tub and back again, and, with a shrug, turned the tub faucet off again… and the sink stayed dry.
    “Curiouser and curiouser,” I mumbled. Never smart enough to leave well enough alone, I reached out and turned the tub faucet on again… and it promptly exploded in a burst of blood so powerful the faucet itself was shredded, bits of metal flying everywhere, one jagged piece cutting a gash in my cheek.
    “Fuck,” I growled as I was knocked back against the wall, as covered in blood as the shower walls and the insides of the tub were. My hand traced the jagged line that now cut across my cheek, but I couldn’t tell where my blood ended and the blood from the explosion began. As the ringing in my ears subsided, I could hear Wedge barreling up the stairs and yelling, but I couldn’t make out what he was saying.
    “I’m alright,” I yelled to him. “Just go get the gear out of the truck. It’s a poltergeist.”

* * * * *

    The thing you have to understand is that while all poltergeists are ghosts, not all ghosts are poltergeists. If you’ve ever glimpsed something watching you, or thought you saw a lost loved one out of the corner of your eye, that was a ghost. They’re just… there. For some reason, they can’t, or won’t move on, and they just linger. It’s sad, actually. Poltergeists, on the other hand… those are the nasty, bitter bastards who throw things around the room, slam doors, break windows, or, you know, explode faucets into people’s faces. Ghosts and poltergeists only have two things in common: they’re both spirits of the dead, and they can both only be dispatched through a summoning.
    Wedge had gotten the gear out of the truck. For me, that included a paintbrush and a mop. A paintbrush to take the blood that was already splattered all around the bathroom and paint in into a double pentagram on the floor, and a mop to mop up all the extra blood so the double pentagram was perfect… and it had to be perfect. You see, what a summoning did was literally summon the spirit, forcing it to manifest a corporeal form, and then bound it within the pentagram. If there was only one pentagram, the spirit would be summoned, but not bound. That’s what the double pentagram was for. Once it was summoned and bound, well, that was where Wedge came in.
    The gear he had brought up from the truck for himself was a keenly sharpened, perfectly weighted long sword that he was strong enough to wield one-handed, and a matching jeweled dagger. Both had been anointed in the blood of the innocent, which made them capable of banishing and effectively killing a bound spirit.
    “I’m glad all this blood was already here,” Wedge opined as he leaned against the wall, watching me put the finishing touches on the double pentagram on the bathroom floor, “I really didn’t feel like having to kill another chicken for this.”
    “I’m so happy for you,” I muttered, glaring up at him over the angry gash on my cheek. “Now listen,” I said as I stood up, looking down to make sure everything was perfect. “When I kneel in the middle to do the summoning, there isn’t a lot of room. Our poltergeist here is going to manifest pretty much right on top of me, so I need you to be quick, or it’s my ass.”
    Wedge nodded. “I’m on it.”
    With a sigh, I knelt down in the center of the double pentagram, closed my eyes, and concentrated. If I had an audience, I might have chanted some nonsense for the sake of drama, but it wasn’t necessary. To summon a spirit, all a medium had to do was concentrate and feel. In this case, I concentrated on the bathtub, and was immediately awash in feelings of fear, sadness, and confusion… but not anger. Something was wrong here, but it was too late to stop now. Once I hooked onto the feelings at the epicenter of the spirit’s haunting, there was no stopping the summoning.
    I felt the spirit in front of me and opened my eyes at the exact time I heard Wedge start lunging with the sword. I opened my eyes, ready to get out of the way…
    …and in front of me was the spirit of a naked little boy, no more than two years old. Every inch of him was covered in water, and as he looked around in confusion and fear, his eyes wept endlessly. He wasn’t moving to attack or harm anyone, he was just standing there. “Stop!” I screamed to Wedge, in time to get him to halt his lunge, the tip of the long sword barely millimeter from plunging into the spirit’s chest and banishing him forever.
    “What the hell, Biggsy?” he growled at me.
    “Something’s wrong here,” I said softly as I knelt towards the boy. “I’m going to find out what.”
    “Aw, don’t,” Wedge said softly, knowing what I was about to do. He also knew he wouldn’t be able to talk me out of it, so he lowered the sword, giving me enough room to reach out and lightly touch the boy’s cheek.
    I’ve already mentioned all a medium needed to do to summon a spirit was feel. That’s basically what a medium really did: we felt the feelings of the dead. Usually we sensed those feelings around us, like at séances or readings. You know, John Edwards stuff. But when we wanted to, we could go deeper than that. And there was no deeper than touching a spirit.
    As my hand cupped the boy’s cheek, I was overwhelmed by how confused and scared he was. His memories flooded into me. I saw the bathtub through his eyes, the eyes of a happy little boy taking a bath. I looked up through his eyes and saw Mrs. Henderson… Mama, I realized… washing him. I saw Daddy, Mr. Henderson, walk into the room.
    “You know it’s the only way, Sheila,” Daddy was saying. “Without that job, I don’t know how we’ll be able to keep the house, or feed ourselves, let alone feed three mouths. Don’t make him suffer with us. When things get better, we can try again.”
    “I know, Alex,” Mommy said sadly. Her hand gently touched my… the boy’s, I mean… face. “I just… I can’t bring myself to do it,” she whispered as she started to cry.
    “Let me.” Daddy came into the room and gently moved Mommy out of the way, then took the little boy’s head and pushed it under the water…

    I broke the connection with a scream.
    “You alright, Biggs?” Wedge asked as he eyes the spirit warily. The little boy had started crying harder now.
    “I’m fine,” I said as I caught my breath, forcing the boy’s feelings out of me. “I’m sorry, kid,” I said softly. “Do it,” I nodded up to Wedge, turning away so I didn’t have to watch as he drew back and plunged his sword into the spirit’s chest, banishing him forever.

* * * * *

    I called the Hendersons as we left their house to tell them the job was done. When Mr. Henderson asked who to make the check out to, I told him to take his money and go fuck himself. Wedge was aghast at that until I explained what I had seen when I touched the boy; once he understood, I had to stop him from paying the Hendersons a visit himself.
    I’d love to tell you we went to the cops with what I had seen, but the truth is, even though the world had become much more aware of the spirit world all around us, what a medium saw in a spirit’s mind wasn’t exactly admissible in a court of law, so there wasn’t much point.
    So we went to The Haunted Hops, the bar we had bought together a few years ago after the occult business started to pick up. Wedge ran away from what we went through the way he usually did; he drank a bit, put on a brave face, and started telling stories of our cases to the regulars and to any cute girl that would listen.
    It wasn’t as easy for me to shake off what I had felt from that poor little boy. No, for me it required an awful lot of Jameson Irish Whiskey. I must have been on the fifth or sixth shot in my crusade to wipe the pain away when Wedge came up behind me and put his hand on my shoulder. “Do you remember when this job used to be fun, Hank?”
    In answer, I refilled my shot glass and gazed into the warm, inviting liquid. “No,” I answered before downing the shot.

Thursday, July 5, 2012

Goodreads Book Review - What Did I Do Last Night?: A Drunkard's Tale

What Did I Do Last Night?: A Drunkard's TaleWhat Did I Do Last Night?: A Drunkard's Tale by Tom Sykes

My rating: 3 of 5 stars


Maybe it's because I can identify with some of the alcohol-fueled endeavors mentioned in the book. Maybe it's because I can also identify with the author being a writer and therefore a frequently drunk writer like myself. Maybe it's because I can identify with the parental abandonment issues he has that may or may not have been what caused his alcoholism in the first place. Whatever the reason, I definitely enjoyed this book much more than the previous memoir that was recommended to me. Sykes writes with an honestly and sense of self-deprecation that i can definitely appreciate. His style leads to a fast and pretty enthralling read. All that being said, it's a memoir, and as I've described in detail on my blog before (found here), I'm not the biggest fan of memoirs because, for the most part, I don't see the point. Still, I enjoyed this one, and that's what counts.



View all my reviews

This was the fourth book in the Recommended Reading Challenge, and the second one I actually enjoyed. I'm starting to think I might give a prize at the end to the person who recommended my favorite book of the challenge, if I can come up with a suitable prize; so far, that prize would go to the person who gave me Boy's Life. We'll see what happens. Anyway, the next book on the list is John Dies at the End.

Monday, July 2, 2012

Revisiting the 10 Movies I'm Most Looking Forward to in 2012

A few months ago, I posted a list of the 10 movies I'm most looking forward to this year. Now that the year is half over and I've conveniently seen half of the movies on the list, I thought I'd touch base with that idea again and give a sort of progress report on the list.

10.) The Hunger Games
I gave this movie 3.5 stars out of five, and here's what I said about it when I reviewed it: "I enjoyed this a lot more than I thought I would, despite it's flaws... for example, it could have been paced better, would have benefited with tighter editing, and more characterization was needed for a lot of characters. Still, I thought it was a good movie, and one thing is for sure: Jennifer Lawrence is a friggin' star."

9.) The Bourne Legacy
This one still isn't out yet, but now that the trailers have been released, I'm looking forward to it even more.


8.) G.I. Joe: Retaliation
This got pushed back almost an entire year to March 29th, 2013. Whether you believe it was to do reshoots or add 3-D, or because they were scared after Battleship bombed so hard, or they just didn't want to compete with the competition this summer, it really doesn't bode well, does it?

7.) Abraham Lincoln: Vampire Hunter
After seeing the trailer for this, I said it was either going to be awesome or so awful it was awesome. I was wrong. It was just awful. I haven't seen things done to the vampire mythos this bad since Twilight. I can almost look past how now explanation is given for why sunlight doesn't bother them. What drove me crazy was how one becomes a vampire: if you're bitten by one and you have an impure soul, you become a vampire. If you have a pure soul when you're bitten... well, you just die. Also, vampires can't kill other vampires, because only the living can kill the dead. What? I mean, sure, it's a nice little catchphrase, but it's just stupid.

6.) Taken 2
This one isn't out yet either. If you saw the first Taken, then there's no way you don't want to see this; if you haven't, then what the hell is wrong with you??? Either way, here's the new trailer:


5.) The Expendables 2
The last as-yet-unreleased entry on the list, it's the sequel to one of the ultimate "guy movies" ever. How can you not love it?


4.) World War Z
Here's another one that got pushed back to sometime next year, which isn't too surprising. If you've read the book, you can imagine that all the disparate chapters and stories might be pretty challenging to weave together into a cohesive film. I guess we'll just have to wait and see if it'll make the list again next year.

3.) American Reunion
I really enjoyed this movie. You can read a little review of it here; just ignore the first half of the post, which is about the abomination known as Wrath of the Titans.

2.) Prometheus
This one left me feeling kind of underwhelmed. Here's what I had to say about it: "This sci-fi movie is definitely good enough. It's just that "good enough" isn't what one expects from a Ridley Scott sci-fi movie. That being said, it's worth watching. It's definitely filmed beautifully, and boy, that Michael Fassbender is great." It earned three out of five stars from me.

1.) The Cabin in the Woods
It's only fitting that movie I was most looking forward to this year is, with the exception of The Avengers, my favorite movie of the year. You can read an only slightly more detailed review here as I am incredibly wary of spoiling anything about this movie for anyone.

So that's how the list has shaped up thus far. What about you? What are you still looking forward to? What have been your faves so far this year? Let's discuss!

Saturday, June 30, 2012

A Guest Post on Hollywood's Unoriginality

So earlier today, my friend Sean sent a message on Facebook to my friend Chris and myself because he had just watched Men in Black 3 and wondered why so many movies seem to be featuring time-shifts lately. I responded that we all know Hollywood loves to grab a trend and ride it like a pony that passes out and dies before it hits the finish line. Chris then responded with what can only be described as a fairly epic diatribe about the lack of creativity and originality in Hollywood for the most part; a diatribe so epic I decided to edit it and post it as the first guest post my blog has ever featured. Here, then, are the words of the man of legend known as Jabba the Black:

"I won't say Men in Black 3 was good. It was interesting and entertaining but nothing revolutionary. Hollywood can't do anything original; maybe there are no original stories left.. Maybe they are too gun shy because it takes so much for the studios to make a movie and everybody has their hands in the pot. If that's not it, explain to my why John Carter with its half-assed special effects cost $250 million to make. There were no "stars" worth a hefty paycheck. Most of the movie was in a fucking dessert. It's a gamble when a movie like that just breaks even. Studios pull all the money from smaller films and something that may be the next great thing ends up either on the cutting room floor OR in the archives of some studio who holds onto the rights and won't allow another studio to develop it just in case it would be a hit. They would rather stifle the art as opposed to getting shown up.

That is why I like the smaller films. You get an original story or at least a new take on a story and the special effects aren't that bad anymore (take
Chronicle, Attack the Block, Shaun of the Dead, and the like as examples). 

And before Jim calls me out for liking SyFy channel movies (Jim's note: I totally would have.), I'll do it my self. While I do love my SyFy films I like them for how horrible they are. Kind of like a John Waters film. And there ARE levels. Sharktopus and Frankenfish are hilariously horrible. They are a modern US take on Kaiju films."

He's right about pretty much everything, from the nonsense of Hollywood to how absolutely awful the SyFy channel is (except for the 4th of July Twilight Zone Marathon I have no use for that network, and even that they've now shortened to the point that it isn't even a full twenty-four hours this year, the bastards), so I just figured I'd share it with you all. Now, discuss! 

Tuesday, June 26, 2012

The Ideal Newsroom

As a writer, one of my favorite thing about a written story in any medium, be it TV, movie, book, comic book, play, whatever, is dialogue. Well-written dialogue can make or break anything for me. Whether it's witty repartee, a deep, dramatic soliloquy, or even one perfectly-timed, well-placed word; for me, dialogue is where it's at. It's one of the reasons Joss Whedon is my favorite television writer. It's the reason Brian Michael Bendis has been my favorite comic book writer for years (even though he blocked me on Twitter for sassing him one night, but come on, he deserves a little sass sometimes... but that's another story). And dialogue then, was the number one reason why I've been looking forward to the debut of The Newsroom for so long.


The Newsroom marks the return to television of one of the masters of dialogue, Aaron Sorkin. He's the guy who co-pioneered the famous "walk-and-talk" style of shooting found in all his earlier shows and already on display a bit in Sunday night's Newsroom premiere. I should mention before I give this show any kind of review that I'm a total mark for Sorkin; between Sports Night, The West Wing, Studio 60 on the Sunset Strip, A Few Good Men, The American President, Moneyball, and The Social Network, how could I not be?

Let's get the bad out of the way. Sorkin does have certain tropes that appear without fail in all his shows, and the Newroom is no exception. Someone has a bit of a meltdown that is a public relations nightmare. There's at least one office romance. Everyone in the room at any given time is smarter than anyone else in the world. Anti-conservatism runs rampant. What's on display is the most ideally perfect example of the show's material. If you don't like those Sorkinisms, you should just pass now, because you'll hate The Newsroom.

But if you're like me and you love the idealism Sorkin's characters represent, you'll fall in love with this show within the first ten minutes. In fact, you probably already have from seeing this promo clip, which is part of the show's opening scene.


Two things right off the bat. One: who the fuck knows all those statistics right off their head? Nobody, right? Probably. But shouldn't a guy who has a nightly news show all his own know all that? That's where the second thing comes in: idealism. We see it in two forms here. He's the ideal newsman because he knows all that... and because he fondly remembers a time of a more ideal America than what we have now. Just like the politicians on The West Wing were the ideal examples of what politicians should be, smart, and, for the most part, idealists. That's the kind of character I love, and that's the kind of dialogue I love. Is it preachy? Yes. Is it unrealistic? In this case, yes. But is it worth watching? Absolutely.

After all, don't we all need a little more intelligence and idealism in our lives?

And if that doesn't float your boat... well, it also features Sam Waterston as a rampaging alcoholic, and who doesn't love that idea?